There’s a new push to make sure locals know about various earned income tax credits, especially those made to accommodate low-income people.
Three thousand families fail to claim more than $6 million in tax credits in our area each year because they don’t know the credits are available or don’t know how to claim them, according to Santa Cruz County officials. Depending on their income, locals may qualify for up to $13,900 between state and federal credits.
Santa Cruz Community Ventures and Project SCOUT are holding workshops throughout the county this tax season.
Every morning after coffee, Nat Young gets in his black Toyota pickup truck and cruises the cliffs, searching for Santa Cruz’s best waves.
He doesn’t track the conditions online. He hears by word of mouth the swell size and direction, the wind forecast. He knows the tides, and has developed a keen sense for which of Santa Cruz’s dozens of breaks will have the cleanest waves.
Sometimes it’s simple, and he dives into the ocean at the first spot he checks.
“A lot of times I get picky, and I could literally end up driving from six in the morning to noon, looking for waves, and then end up surfing the very first wave I looked at,” Young says.
At 24, the freckled blond is already Santa Cruz’s most accomplished surfer yet, with three seasons on surfing’s highest level of competition. Young enters the upcoming season ranked No. 10 in the world, the second-ranked American behind Kelly Slater at No. 9.
Young begins the 10-month season March 10 on Australia’s Gold Coast, then goes to places like Tahiti’s Teahupo’o, South Africa’s Jeffreys Bay and Oahu’s North Shore.
When he’s home on Santa Cruz’s Westside, Young surfs every day—two to three times a day. On his cement patio, around a dozen wetsuits hang on makeshift racks, dripping dry in the sun. A plastic shed houses 60 surfboards from his sponsor Channel Islands Surfboards, and he picks from their various shapes and sizes the right board for the day’s conditions.
To most people’s surprise, Young hit the tour in 2013 with enormous success, reaching two major finals in Portugal and Australia’s Bells Beach and winning the Rookie of the Year award.
He describes the past three years as up and down, his year-end world ranking bouncing from No. 8 in 2013 to No. 13, then to No. 10 the following years.
This year, Young says he wants to win a contest.
“I’ve been on tour three years and I’ve only been in three finals. It’s like you only have one opportunity a year, so you have to take advantage,” Young says. “I think surfing is one of the hardest sports. So many factors are out of your control when you’re in a heat.”
“Everything I can control, whether it’s my training, or my equipment, is huge—knowing your equipment and being on top of it. Picking the right waves: Should I go on this? Or maybe the one behind is better, and trusting that you make the right call … I feel like when you put a lot of work and time and effort into the preparation of it, those decisions come a lot easier.”
YOUNG START
Young grew up playing soccer, baseball, golf, and basketball, and competed on Santa Cruz’s junior lifeguard team. He skateboarded and rode his BMX bike and was always at the beach. BANDING TOGETHER Young (right) works out with his strength coach Joey Wolfe at Paradigm Sport. PHOTO: KEANA PARKER
At age 5, he stood up on a boogie board while on a trip to Mexico, then started surfing Cowell’s on a pink board. By the age of 6 he graduated to Steamer Lane, a world-class break known for its talented and macho crowd.
The simple explanation of how a regular all-American kid rose to the top of the surfing world is that he’s ferocious.
Peter Mel, World Surf League broadcaster and Santa Cruz surfer says of Young, “First and foremost, he’s about as competitive a human that I’ve ever met. There’s that. You need that, especially to have the success that he’s had at the level he’s at … He’s never a poor sport, but he does not like losing. He does whatever he needs to do to avoid that feeling.”
Mel’s son, John Mel, 16, calls Young a role model. Young has taken John, a budding pro surfer, under his wing. They lift weights and surf together regularly.
“He’s always wanting to win, and you can see how focused he is to win,” says John of Young’s intensity. “That’s what you need. Basketball, cornhole, ping pong—any of those he’s super competitive and you just know that he really wants to win, and he’s going to practice until he wins.”
Nat’s mother, Rosie Young, says even at a young age her son was fierce.
“We used to play games with him when he was little, like Candyland and Sorry!, and we used to have to let him win. He’d change the rules as we went along. He enjoys it. He enjoys competition,” she says.
When it comes to surfing, Young says he may not have the prettiest style, but when he’s on a wave, he doesn’t think about how he looks.
“I definitely put all my energy, all my strength, into every turn I do,” Young says. “I want to throw everything I have at the wave. When you’re doing that, putting all your power, that — that’s my approach.”
TRAINING HARD
It’s a hot summery day in early January when I meet Young for the first time. The tide is high and not good for waves, so Young is at the gym. He’s just returned from a three-week break from training, after finishing 2015 with a frustrating early exit at Pipeline in Hawaii.
My boyfriend is a huge fan of Young’s, and in our hallway we have a large framed photo of him getting barrelled at Año Nuevo State Park. It turns out Young has the same photo, his first cover for Surfing magazine, hanging in his living room.
During contests, my boyfriend makes me stay up until 2 a.m. to watch the live webcast of Young’s heats. Sometimes in the wee hours we’ll go to our friend Levi’s house to watch, and Levi’s dad will join and reminisce about the time he saw Young surf at the Coldwater Classic. Long story short, Young is a celebrity in our household, and I’ve got the jitters. But when I meet Young at Santa Cruz’s Paradigm Sport, where he trains four days a week between contests with strength coach Joey Wolfe, I’m instantly at ease. He’s just a regular guy. At 5 feet 10 inches and 164 pounds, Young is muscular but blends into the crowd. He’s friendly and talks in intermittent bursts when he’s not doubled over, catching his breath between sets.
Wolfe, the gym’s owner, is a former minor league baseball player. He’s trained Young since 2010, when Young was 18 years old, 20 pounds lighter and just entering the qualifying series, the “minor leagues” of surfing.
“When Nat came to me he was already flexible,” says Wolfe. “His thoracic rotation is off the charts. He’s played baseball, basketball, golf. He’s an athlete first. So having someone with incredible body awareness, who’s already played other sports, it’s about getting him stronger.”
Young likes to train with friends, and on this day he’s lifting with Santa Cruz lifeguard Paul Steinberg and Tyler McCaul, a professional mountain biker from La Selva Beach.
After a foam-roller massage and dynamic stretching warm-up, Wolfe leads the trio through a strength-building routine: kettlebell Turkish get-ups, medicine ball pushups, bodyweight core exercises, and others. In one drill, Young holds the ends of a heavy rope, balances on one foot on a BOSU ball and beats his arms up and down like a Taiko drummer.
Each day the training changes.
Surfers need strength to handle the g-forces of carving aggressive turns. But they also need to be flexible and fast to launch off the wave’s lip and land aerial maneuvers.
Wolfe says he’s careful that Young stays lean, so Young squats less weight than the professional baseball players, for example, but Wolfe doesn’t place much emphasis on sport-specific conditioning.
“For rotational power, that’s no difference for a baseball player, a fighter, a surfer. It’s all the same,” Wolfe says.
THE TEACHER
Young says that without his mother, he never would have become a professional surfer. Until Nat turned 17, Rosie Young drove him every weekend for six years to Southern California, where all the junior contests were. TEAM NAT Young with his mother, Rosie. PHOTO: KEANA PARKER
“She had a Jeep and on one of the trips the door fell off,” says Young. “And then there was the Volvo. It got 280,000 miles in four years. It just died on her.”
Rosie Young was a legal secretary before quitting when Nat began his junior career. She spent thousands of hours on the cliffs, videotaping him surf.
She edited the tape into short films, which he’d watch on repeat.
“They were his teacher,” Rosie Young says. “Wherever he surfed, I’d film—up the coast, Pleasure Point, the beaches here. Wherever he went, I went with my camera.”
She says Nat becoming a top 10 surfer was never the goal when he was young. She was friends with other surfers’ parents and enjoyed traveling with her son. His father Dennis, a talented Santa Cruz surfer who died in 2012 of cancer, would take him on surfing trips, she says, and was not a “helicopter dad.”
“He had joy in just watching Nat. He didn’t give much advice, except recommendations on boards,” says Rosie, who joins fans across the world to watch her son compete on live webcasts from her home in Santa Cruz. “If he has a heat at two in the morning, I’ll set my alarm for 1:30 so I won’t be all groggy,” she says. “The ones in Europe are the worst.”
Kieran Horn, a former Santa Cruz surfer and now O’Neill’s marketing and business director in Holland, managed Young in his junior career. He didn’t coach Young, but gave advice on boards and helped him prepare for international trips.
Even at 12 years old, Young was clearly a “man among boys” in contests and already had the fundamentals to become one of the best surfers in the world, Horn says.
Young is known for his backside surfing—with his back to the wave—his strong bottom turn and aggressive vertical attack of the wave’s lip. Broadcasters regularly gush about his powerful “tree-trunk legs.” Off each top turn, his board throws an explosive spray of water, an indication of his strength.
Before Young, Santa Cruz produced a series of backside goofy-footers in the 1980s and 1990s, such as Anthony Ruffo and Chris Gallagher.
“[With Nat], it was like, here’s another backside guy, but to another degree,” Horn says. “Having that bottom-turn to top-turn combination at that young of an age, that is something really important to have competitively. So yeah, it was clear that there was great potential at a young age.”
THE BIG HOPE
Around Santa Cruz, strangers recognize Young and say hi. On Instagram, he has 131,000 followers—and his Facebook page, last updated in 2013, has nearly 5,000 likes.
But he’s not yet a household name, even in his hometown.
As his mother, Rosie puts it: “He’s not like Justin Bieber who can’t walk out of his house. There’s no paparazzi walking around. I mean, there’s probably people in this town who don’t know who Stephen Curry is, but that’s because they don’t watch basketball.”
According to Peter Mel, American surfing is in transition. At age 44, Kelly Slater is still going strong, but he may retire soon. Last year’s retirement of Florida’s C.J. Hobgood, a 17-year tour veteran and former world No. 1, began a changing of the guard. Two new Americans will join the championship tour in March.
Hawaii also includes some standout surfers, such as world No. 15 John John Florence, who has won two championship contests, but Hawaiians are not considered Americans by the World Surf League.
“As far as American surfing goes, he [Young] is our next real big hope. … There’s not a ton of Americans. So he’s the guiding light for all Americans, not just Santa Cruz, but the entire nation,” Mel says.
“I don’t know if he actually thinks like that, but I know that there’s a lot of fans on tour and he’s gonna hold that flag.”
FOLLOW NAT YOUNG: The contest window for the Quiksilver Pro Gold Coast is March 10-21. Young’s first heat will be against John John Florence and Jack Freestone. More info at worldsurfleague.com; download the app for alerts when contests are called.
What were they thinking with this year’s Oscar nominations?
You don’t need to be psychic to predict that, come Sunday night, the gold will be bestowed on a movie whose cast, filmmakers and subject matter are mostly—how else can I put this?—white and male. Because that is all there is to choose from.
Over at Boys Town (aka: the Motion Picture Academy), white male ensemble casts were almost the only nomination-worthy movies of 2015. Still, there’s less consensus than usual about front-runners this year, which might lead to some surprises in the otherwise cookie-cutter sameness of the field overall. BEST PICTURESpotlight This is really a close call. But out of the eight contenders, we can eliminate the three films whose directors didn’t get nominated (adios Brooklyn,Bridge of Spies, and The Martian), and further weed out Room, which hasn’t garnered any pre-season buzz in this category. Which boils down to three buzz-worthy contestants: The Revenant, The Big Short, and Spotlight, each of which has earned some pre-season love. (As has Mad Max: Fury Road, although I don’t think Academy voters will take it seriously in this category.) On the strength of Leonardo DiCaprio’s almost certain lock on the Best Actor prize, The Revenant looks like the one to beat—except that director Alejandro González Iñárritu already won for best film and director last year for Birdman. But I’m betting that even if he does score a second consecutive Best Director award, Oscar gold will still go to Spotlight, the kind of smart, hard-hitting issue movie that Hollywood likes to applaud itself for making. BEST DIRECTOR Alejandro González Iñárritu, The Revenant. OK, I wasn’t that crazy about the movie, but it was a pretty amazing directorial achievement. Iñárritu has been cleaning up, pre-season, and my hunch is that his winning streak will prevail over Tom McCarthy (Spotlight), Lenny Abrahamson (Room), George Miller (Mad Max: Fury Road), and Adam McKay (The Big Short). BEST ACTOR Leonardo DiCaprio, The Revenant. I don’t get it either, how 2.5 hours of grunting through the wilderness counts as acting; DiCaprio has given far better performances, where he actually spoke dialogue, but, hey, it’s his turn. Plus, the Academy won’t be able to resist putting Leo up on the podium with Kate Winslet (just in case she wins Supporting Actress for Steve Jobs—as she deserves to), 20 years after Titanic. I’d vote for Bryan Cranston (Trumbo), or Michael Fassbender (Steve Jobs). Eddie Redmayne (The Danish Girl) and Matt Damon (The Martian) round out the category. BEST ACTRESS Brie Larson, Room. The no-brainer of the year. She’s already won every other award in this category over Cate Blanchett (Carol), Saoirse Ronan (Brooklyn), Charlotte Rampling (45 Years), and Jennifer Lawrence (Joy). BEST SUPPORTING ACTOR Sylvester Stallone, Creed. For the same reason as above; plus, this is the award they never gave him for Rocky when he was in his prime. Sorry, Christian Bale (The Big Short), Mark Rylance (Bridge of Spies) and Mark Ruffalo (Spotlight). Possible (but unlikely) upset: Tom Hardy, The Revenant, (although it would be a backhanded nod to Mad Max: Fury Road). BEST SUPPORTING ACTRESS Alicia Vikander, The Danish Girl. With four high-profile films this year, Vikander deserves to win something. I’d give her the Best Actress prize and give this Oscar to Kate Winslet for her pithy, Polish gal-Friday in Steve Jobs, over Rachel McAdams (Spotlight), Rooney Mara (Carol), and Jennifer Jason Leigh (The Hateful Eight). SHORT TAKES: Look for Spotlight and The Big Short to win their respective Original and Adapted Screenplay awards. (MIA: Aaron Sorkin, unnominated for his smart, literate script for Steve Jobs.) My guess is Inside Out will trump Anomalisa for Best Animated Film, and the Hungarian drama Son of Saul will crush the Foreign Language competition. Expect the vast snowscapes of The Revenant to earn Cinematography gold, while Mad Max: Fury Road speeds off with the Costume and Production Design awards that I would give to The Danish Girl—if only they had asked me!
INFO: The 2016 Academy Awards air at 5 p.m. on Sunday, Feb. 28 on ABC.
An election year like 2016 is a busy time for any married couple. Along with ordinary responsibilities to family and work, they make decisions in important races locally and nationally.
But 2016 is of particular importance to State Assemblymember Luis Alejo (D-Watsonville) and his wife Karina Cervantez Alejo, a Watsonville city councilmember and former mayor. Both are pursuing their political aspirations by running for major offices in the Monterey Bay area.
“Bold leadership is needed to address the state’s numerous issues,” says Cervantez Alejo, who’s running for her husband’s seat in the assembly. “Colleges are harder to get into, we still must adapt to California’s historic drought, and jobs and economic opportunities continue to be a concern for families. These are challenges I am willing to take on.”
Her husband, who’s getting termed out of his assembly seat, is running for Monterey County supervisor and says he moved to Salinas last year.
It’s a matter of perspective whether the Alejos are tireless champions of working people or simply politically ambitious opportunists—not that these two things are mutually exclusive.
On one hand, the pair has a strong public service record and a legislative history of looking out for economically and politically disenfranchised communities. Alejo is probably best known for laws he wrote in 2013 to raise the minimum wage and provide driver’s licenses to undocumented immigrants. He authored 20 bills in the last legislative session, 18 of them eventually getting signed into law by Gov. Jerry Brown.
Their opponents, though, have suggested that the two rising Democrats’ political ambitions outweigh their desire to serve, and that the evidence lies in the Alejos’ willingness to shuffle addresses in order to avoid term limits.
Alejo, also a former Watsonville mayor, was elected to the assembly in 2010, as part of the last class subject to six-year term limits. California voters approved the extension of those limits in 2012 to 12-year terms, but too late for Alejo. He is scheduled to term out at the end of this year, prompting his move to Monterey County, where he’s running for District 1 supervisor against incumbent Fernando Armenta in November.
“I moved to Salinas from Watsonville because it is the district with greatest needs,” he says. “It has the highest unemployment rate and the highest homicide rate in the state of California.”
Alejo says he is committed to pursuing some of the same policies he forwarded in Sacramento at the local level.
“Salinas is the largest city in the Monterey Bay area, and it has no year-round shelter for the homeless,” said Alejo, who feels that the city’s response to a ballooning homeless population in the Chinatown area of the city has been myopic and ineffective. “These draconian ordinances are not working. We need a different approach, something more humane.”
Because Cervantez Alejo sits on the Watsonville City Council, she still lives in Watsonville cannot move to Salinas with her husband while in office. The nomadic approach to politics has not sat well with the couple’s political opponents.
Fernando Armenta, the District 1 supervisor on the Monterey County’s board since 2000, did not respond to requests for an interview. Recently, though, Armenta has accused his opponent of using this seat as a launch pad to other offices, after getting termed out. “I don’t think he’s here to stay,” Armento told Monterey County Weekly of Alejo.
California State Sen. Bill Monning (D-Carmel) gets termed out in 2020, and with all his experience, Alejo would look like the obvious front-runner for that seat in four years, although Alejo doesn’t say those are his plans.
“I only have plans to run for County Supervisor in District 1,” Luis Alejo tells GT in a follow-up, via text message. “Most people I talk to recognize that the incumbent hasn’t led on much in 15 years as a supervisor.”
As is often the case when it comes to anything political, these squabbles over term limits go both ways.
Cervantez Alejo, ironically, cites term limits as the principal reason voters should not elect her opponent, Anna Caballero, a fellow Democrat, in the race for the assembly’s District 30.
Caballero, a Democrat who served as mayor of Salinas and on the city council for 15 years, was also elected to the California Assembly twice, serving from 2006 to 2010, before she lost a bid for reelection. She later served in Gov. Brown’s administration as secretary of the California Business, Consumer Services and Housing Agency. Like Armenta, Caballero did not comment for this story, missing two scheduled phone interviews with GT.
Because Caballero was elected to office prior to 2012, she is subject to the same term limits as Alejo. Because of term limits, she would be limited to serving one two-year term.
“I’m only the candidate who can serve this district for the long term,” Cervantez Alejo says. “There are tough issues such as income inequality, affordable housing in our communities, restoring economic vitality. To tackle these issues will require more than the two years she has left.”
Caballero touts the breadth of her experience, saying that sets her apart from Cervantez Allejo.
“I have the opportunity to hit the ground running,” Caballero says. “The first term is a learning opportunity. There is nothing I need to learn.”
These regional squabbles are part of a bigger, possibly shifting picture: there’s a growing belief among experts that term limits may not be serving their intended purpose and may do more harm than good.
The state of California had a part-time “citizen legislature,” which paid a relatively meager wage until the 1960s. That’s when the state’s growing population and increasingly complex political world led to the legislature being professionalized. That continued until 1990, when voters passed Proposition 140, introducing term limits. At the time, proponents argued limits would curb careerist politicians, return the government to citizen legislators, and theoretically create opportunities for minorities and women.
The Public Policy Institute of California concluded in 2004 that such measures have failed to do so.
“Careerism remains a constant in California politics,” the study states. “Many have local government experience and run for another office … when their terms expire.”
Furthermore, the study asserts term limits may actually hinder the proper functioning of a representative democracy, in that legislators are termed out right as they gain the appropriate level of expertise. The continual inexperience of the assembly representatives makes it unlikely that the legislature will hold the executive branch of the government more accountable, particularly during the budget process.
Cervantez Alejo, who has witnessed firsthand her husband’s six-year tenure in Sacramento, admits that, as with all other candidates, there would be a period of acclimatization to the new role should she win the election. “There will be a steep learning curve, regardless, although I definitely have a lot of familiarity with the issues,” she says.
For his part, Alejo says he will be happy to assist his wife should she earn the seat, but also says that the advices flow both ways in their marriage.
“It’s been mutual,” he says. “Karina is one of the smartest people I know. We have always run ideas and strategies past each other. I learn from her, but I also contribute ideas. It’s collaborative.”
In advance of her primary run-off against Caballero in June, Cervantez Alejo has been pulling in big endorsements, including ones from local law enforcement and the California Democratic Party.
Cervantez Alejo says that people who cast her and her husband as ambitious people looking to slake their political thirst are discounting the years of public service both have contributed.
“Both he and I have a strong commitment to our communities,” she says. “This trajectory we’re on doesn’t happen overnight. It’s been a long history of involvement. Anything else is a misrepresentation.”
East Cliff Brewing Co., the newest addition to the thriving Santa Cruz craft beer scene, focuses on British-style cask ales, which are probably foreign to anyone who hasn’t crossed the pond. Malty characteristics shine through in these Old World-style ales, and lower alcohol (around 4-5 percent ABV) allows the drinker to enjoy several without feeling too knackered. Naturally carbonated in the cask (hence the moniker), servers pump the ale with the help of shiny, steampunk-esque beer engines.
Co-owner and brewer James Hrica went to England for the first time in 1999, and it was love at first pint. “The way they served their beer was different,” Hrica says. “It’s not ice cold, it’s not super-carbonated. And the taste was different, too. I came to love those flavors.” He was inspired to take up his homebrewing hobby again in an attempt to recreate the British ales he’d experienced, and repeat trips to Britain deepened his appreciation for the style. In 2012, Hrica and friend and fellow homebrewer Jon Moriconi began brewing together, driven by a desire to recreate the ales they’d fallen for and couldn’t buy in the States. “There has to be something that inspired all that effort. For us, it was the product that we were making. We couldn’t buy it anywhere,” says Hrica. Less adventurous beer drinkers shouldn’t let fear of the unknown deter them—English styles are very approachable, perhaps even more friendly to untrained palates than the aggressive double IPAs and sour styles now popular on the market. More geeky drinkers will enjoy the results of different malting techniques and the earthy terroir of English hops, which are rarely used in American styles and have their own unique profiles. My favorites are the roasty and nutty English Brown Porter and the mild yet extremely flavorful Burton’s Bounty IPA, dry-hopped with English Fuggles. The brewery bears little physical resemblance to a dimly lit British pub—the space is open, light and airy. Whitewashed walls set off a dazzling mural of the Harbor Lighthouse done in psychedelic colors by artist Yeshe Jackson. “That pub atmosphere was something we kept in mind,” says Moriconi. “We wanted to build a place where people could spend a few hours with their friends, have a pint or three, and not have to stumble home.”
Open 4-9 p.m. Friday, 12-9 p.m. Saturday,11-8 p.m. Sunday. 21517 E. Cliff Drive, Santa Cruz.
In a society that clings to the gender binary of male and female, transgender and gender-nonconforming individuals aren’t always free to live as their true selves. And the psychological and physical consequences are innumerable, says Dr. Diane Ehrensaft, mental health director for the Child and Adolescent Gender Center in San Francisco.
“A young transgender man said to me ‘Look, from what I’ve read about the data, I understand that hormones might shave a few years off my life, but if the alternative is to be living a miserable life, I might not even get to that age anyway, because I might’ve killed myself,’” says Ehrensaft.
She calls gender nonconforming variance a natural and healthy part of the human condition. “Where the pathology lies is in the culture—it lies in the stigma, in the transphobia, the rejection, physical violence,” Ehrensaft says.
Transgender people have a “true gender self” and, to protect themselves, a “gender self” that they walk around in, she explains.
“Then they have gender creativity, which is the unique way that each kid puts their gender together within the culture,” Ehrensaft says. “Not just who we are as male, female, or other, [but] how do we express ourselves in terms of our gender?”
Ehrensaft will speak about “gender creativity” and her work with transgender youth at the Jon E. Nadherny/Calciano Memorial Youth Symposium on Feb. 26 in Santa Cruz, along with Dr. Jennifer Hastings, and Joel Baum of Gender Spectrum.
“I had two kids, both of whom loved playing with tutus, with frills—one was a girl, one was a boy,” she says. “I had my own experience as a parent in the 1970s raising a gender-creative little boy, so that was trial by fire. That was a profound experience for me and a beautiful experience.”
Ehrensaft founded the Child and Adolescent Gender Center in 2008, now housed at UCSF, along with a handful of educators, attorneys, medical health professionals and academics.
“We’re seeing more kids who are saying ‘What’s with these two boxes on gender? I’m not going to do that because I’m doing rainbows.’”
Despite many people’s hesitancy to trust young children with questions of who they are, in most cases, Ehrensaft says they know best.
“The fault in the traditional theory is the belief that gender lies between your legs,” she says. “Gender resides between your ears, your brain and your mind.”
Ehrensaft works with children all across the “gender web,” as she calls it, preferring to visualize gender as a 3D web where nature, nurture, and culture intersect.
Ehrensaft tells the story of a seven year-old child, assigned male at birth, who currently self-identifies as a boy/girl. One option is to prescribe hormone blockers when the child begins puberty, says Ehrensaft. Puberty blockers buy the child time before their bodies start to develop the characteristics of the gender they do not identify with—something that Ehrensaft says can be unthinkably traumatic.
After puberty blockers, further steps can be made, like taking hormones for the identified gender, surgeries, or nothing at all—it all depends on the person and what they feel is right.
Although there isn’t a wealth of statistical knowledge to draw from (children who’ve received puberty blockers are nowhere near the age needed for comprehensive longitudinal studies), the evidence available says that the earlier a child is allowed to live in their true gender, the better.
When Ehrensaft and her colleagues founded the Gender Center, they wanted to make it a “clinic without walls,” she says, because the struggles don’t end in the hospital waiting room.
“It takes a village. It takes parents, providers, legislators, to all come together to demand change—to move forward with the rights of transgender children and adults and provide them with protection, says Ehrensaft. “We have work to do.”
Before Del the Funky Homosapien was a celebrated Bay Area hip-hop artist, he wrote lyrics for his cousin, legendary rapper Ice Cube. The experience laid the foundation for Del’s solo career which included, among other highpoints, founding the Hieroglyphics crew in the early 1990s. More recently, Del released the 2014 album Iller Than Most to SoundCloud under the username Zartan Drednaught COBRA. He described the project as “lyrically ill but fun to listen to, nothing super heavy.”
INFO: 9 p.m. Saturday, March 12. Moe’s Alley, 1535 Commercial Way, Santa Cruz. $25. 479-1854. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, Feb. 26 to find out how you could win a pair of tickets to the show.
Every Grateful Dead fanatic has their own personal favorite period. For a lot of people, that is the early ’70s, when the band was heavily influenced by Americana elements. Other people prefer the late ’60s, when they were much more psychedelic. For guitarist/singer Matt Hartle, the best period is 1976. In fact, he named his Grateful Dead tribute band the Spirit of ’76 after their musical output from that year.
“They were coming off a hiatus after playing all these large venues. When they came back, they played more intimate settings, and the arrangements became simpler,” says Hartle. “As the ’70s progressed, they got more formulaic. In 1976, they were still figuring that all out. There was a looseness to the arrangements at that point.”
For some shows, they will recreate Grateful Dead setlists from that year. But even when they don’t go that far, they play the songs the same way the Grateful Dead would have likely played these songs in 1976, including the lineup. For instance, Donna Jean Godchaux was in the band from 1972-1979, so they have a female vocalist to sing her parts.
It isn’t a note-for-note recreation of the Dead’s music, and as the group has progressed, they have introduced songs the band wrote after 1976. But they continue to bring the loose, intimate version of the band to Santa Cruz crowds whenever they play, giving them a unique take in a city that boasts several other Dead tribute bands.
“I’m blessed to live in Santa Cruz, where we have a great contingent of people that love to come out and dance to the Grateful Dead’s music,” Hartle says. “When we book a show, we’re guaranteed to get a good crowd that comes out that knows the songs, that loves the songs as much as we do, that has danced to the songs a million times, like we’ve played them a million times.”
After a busy January, with house guests from Spain for almost two weeks and throwing a party of 30 people for them and friends from France, my husband and I decided to hightail it to Carmel for a bit of a break. One of our favorite places to stay is the Hyatt Carmel Highlands, not only because accommodation is superb, but also because it’s home to one of our favorite restaurants, Pacific’s Edge. Sophisticated food and an impressive wine list make this restaurant a draw for visitors from far and wide—and it’s literally on the edge of the Pacific Ocean as its name implies.
An extensive wine list offers a vast selection from all over the world and in all price ranges. We ordered a Joullian Vineyards 2014 Sauvignon Blanc for $48, and from a local Carmel Valley winery. Since we both ordered fish, this was a perfect libation to pair with my sea bass and my husband’s scallops—both entrees superbly cooked and delicious.
Joullian’s Carmel Valley hillside vineyard produces outstanding white wines, including this Family Reserve Sauvignon Blanc—which is also a good match for a variety of shellfish and moderately spicy Asian cuisine.
Made by Joullian’s winemaker and general manager Ridge Watson, this fragrant and richly textured wine is pure pleasure to drink, and I loved the hint of honeysuckle and earthy minerality that perks up the taste buds.
Joullian was bought a couple of years ago by Jane and Tom Lerum from the original owners, and the Lerums’ plan is “to build on the winery’s historical success by maintaining a laser-like focus on crafting exceptional wines … and developing plans to expand Joullian’s operations.”
Sharing a dessert of tangy lemon cake, we polished off the rest of the bottle. After all, we didn’t have far to walk to our room. Joullian Vineyards, 2 Village Drive, Carmel Valley, 659-8100. joullian.com. Tasting room is open daily from 11 a.m. to 5 p.m.
In the Breadbox
In the Breadbox opened a gluten-free bakery-café and take-out deli at the end of January. Open from 8 a.m. to 8 p.m., they offer breakfast sandwiches, bagels, quiche, muffins, pizzas, breads, and hamburger buns—all gluten-free. The take-out counter sells prepared meals such as lasagna and chicken pot pies. Sounds delicious! 2890 Soquel Ave., Santa Cruz, 316-4611. inthebreadbox.com
Films this WeekCheck out the movies playing locallyReviews Movie Times Santa Cruz area movie theaters > New This Week EDDIE THE EAGLE Whether it’s the forced underbite, the shaggy overcut, the awful ‘70s glasses, or all three, there’s something so adorable about Taron Egerton as Eddie Edwards that we’re even willing...