Produce Standoff

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Tatanka Bricca knew Cesar Chavez and Dolores Huerta through United Farm Workers (UFW) more than four decades ago, and helped coordinate a lettuce boycott throughout Northern California. Today, heโ€™s walking across the parking lot for Driscollโ€™s corporate headquarters in Watsonville at 11:40 a.m. with a cardboard sign that reads โ€œSTOP Inhumane Production Standards.โ€
Itโ€™s Thursday, March 31, and Bricca, a 71-year-old Ben Lomond resident, learned about the dayโ€™s protest from local organizers and says he felt drawn to it because of the conditions that workers face in the field everyday. Even in 2016, Bricca notes, the average life expectancy of a field worker is 49 years, 24 years shorter than the average American, according to the UFW.
โ€œItโ€™s a living wage. Itโ€™s pesticides. Itโ€™s all the basic human rights,โ€ says Bricca.
In the distance, chants of โ€œBoycott Driscollโ€™s!โ€ filter in and grow louder as a group of activists rounds the corner of Westridge Avenue, off Harkins Slough Road.
โ€œStop the exploitation! We want union contracts!โ€ organizer Ramon Torres shouts at the companyโ€™s brown, one-story corporate buildings in front of him a few minutes later. Torres is yelling via translator Andrew Eckels, both of them gripping megaphones. ย 
The rally is for Familias Unidas por la Justicia, an independent farmworker union based in Northern Washington that is calling for a boycott of the nationโ€™s biggest berry supplier. Torres is the unionโ€™s leader, and Eckels is one of many volunteers.

The average life expectancy of a field worker is 49 years, 24 years shorter than the average American, according to the United Farm Workers.

Torres tells the crowd that pickers at his former employer Sakuma Brothers Farm, a supplier of Driscollโ€™s, routinely make less than minimum wage, which ย is $9.47 in the state of Washington.
Representatives from both Driscollโ€™s and Sakuma deny those claims, saying that workers are actually paid above market rates for their work. Sakuma spokesperson Roger Van Oosten says the companyโ€™s farmworkers make an average hourly wage of $17.50, and the top pickers often reach $40 an hour at the peak of the harvest.
โ€œYou have to pay them well, or they wonโ€™t come,โ€ Van Oosten says, noting that there has been a shortage of farmworkers nationwide in the past year. โ€œWhy would they bother, unless compensation is high?โ€
Farmworkers in Washington only have a limited right to organize, Sakumaโ€™s owners donโ€™t have to recognize Familias Unidas, and, for the most part, they donโ€™t. Recognized or not, there is a lot of history between Torres and his old bosses.
Torres was arrested following a domestic violence dispute with his wife in August 2013, while he was living at Sakumaโ€™s farmworker housing. Van Oosten says the company fired him because of the incident, based on both company policy and neighbor complaints. He says Torresโ€™ decision to take his boycott on the road is simply an act of retaliation.
Torres contends that he was really fired for pressuring Sakuma to improve its conditions and that the boycott is solely about what farmworkers go through.
Van Oosten says that Torresโ€™ West Coast tour, which went through Oregon, the Bay Area, the Central Valley, and Los Angeles, does not speak for farmworkers, who he says are happy at Sakuma.
In addition to Torres, the group of protesters includes one current Sakuma farmworker and a handful of supporters. Along their journey, they have opened up not just about their struggles, but about their successes, too. Sakuma farmworkers won an $850,000 settlement in 2014 against their employer for unpaid time, and living conditions were also poor at the time. Soren Bjorn, an executive vice president at Driscollโ€™s, says that Sakumaโ€™s farmworker housing was also substandard, but stresses that Sakuma has since made big improvements after working with Driscollโ€™s.
Driscollโ€™s has a rigorous auditing process, Bjorn explains, for food quality and safety, as well as for worker welfare. โ€œThe pay is very, very competitive,โ€ he adds. โ€œIt is probably among the very best.โ€
Bjorn suggests the protests happening now stem mostly from leftover resentment at the conditions in 2013, and Torres would not argue with that.
โ€œYes, exactly,โ€ Torres says of the fight for better conditions. โ€œAnd the only way that we can make sure this continues is that we have it under a union contract.โ€
In Sakumaโ€™s farmworker housing, Torres says that only a few years ago, tenantsโ€™ beds were nothing more than torn mattresses sitting on the ground, with cockroaches and rats crawling in and out. When it rained, he explains, all of the cabins would leak.
Without a union contract, Torres fears that bosses will soon start making the same violations they were getting away with before.
He also feels that Driscollโ€™s is taking credit for the hard work of organizers who brought Sakumaโ€™s violations to light. If Driscollโ€™sโ€™ audits are so complete, he wonders, how did Sakuma get away with providing poor housing and docking pay for so long?
Torres, who raises money for Familias Unidas through fundraising and selling T-shirts, says he wants to secure health care and retirement plans for the people in the field to give them a better life before itโ€™s too late.
โ€œIf we continue this way, youโ€™re only going to live up to 49 years old, because you spend so much energy,โ€ Torres tells GT via an interpreter. โ€œThatโ€™s something, with a union, we want to change.โ€
 

Wrights Station

My first experience of Wrights Station Vineyard & Winery a few weeks ago was wonderful. What awaited was a beautiful tasting room, warm hospitality and, best of all, splendid wines. Owner and winemaker Dan Lokteff took me and my husband on a tour of his propertyโ€”a bucolic spot in the Santa Cruz Mountains that is perfect for events of all kinds, including a simple picnic during a wine-tasting visit.
Lokteff, who purchased the property a few years ago when he and his wife Molly were looking around for a good piece of land to start a winery, says that as they were driving away from Wrights Station, Molly said she had a good feeling about the place and he should buy it. With its incredible views of vineyards and mountains, the idyllic setting is a little piece of paradise. Lokteff has since put his heart and soul into making superior wines and serving them in this gorgeous setting, and none of this came about without a huge amount of work and planning.
Wrights Station was once a bustling stop for the South Pacific Coast Railroad that ran from Alameda to Santa Cruz, โ€œthough all that remains today is a haunting tunnel opening,โ€ Lokteff declares on his label.
Open for about 18 months now, Wrights Station is a fun place to visitโ€”and all of their handcrafted wines are well-made and flavorful. I particularly enjoyed the 2012 Chardonnay Backwards Block, Santa Cruz Mountains ($30). This estate-grown Chard is aged primarily in neutral oak barrels and delivers โ€œhuge flavors of ripe golden apples and bruleed pears.โ€
Wrights Station, 24250 Loma Prieta Ave., Los Gatos, 408-560-9343. wrightsstation.com. Open 11 a.m. to 5 p.m. Friday-Sunday.

Winemakerโ€™s Dinner

An opportunity to sample Wrights Station wines, paired with the delicious food of Ristorante Casa Nostra in Ben Lomond, will be a winemakerโ€™s dinner 6-9 pm. Tuesday, April 26. Visit ristorantecasanostra.com for info and reservations.

Winetasting on the SSS Steeves

Take a three-hour cruise on the Monterey Bay and sample wines as you go. This is a fundraiser for a clean-water project in a Uganda villageโ€”organized by the Santa Cruz Sunrise Rotary. The event is 11 a.m. to 2 p.m. April 17 and for tickets and info visit kasesewater.eventbrite.com
 

โ€˜Freedomโ€™ at Last

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The farther Lizz Wright gets from her gospel roots, the more sustenance she seems to draw from the rich red soil of her native Georgia. Her new album Freedom & Surrender is the latest step on a journey that has taken the self-described โ€œcountry jazzโ€ vocalist with the molasses-steeped sound from her home in Atlanta to Brooklynโ€™s polyglot scene, where sheโ€™s absorbed a myriad of influences.
Produced by Larry Klein, whoโ€™s responsible for memorable albums by artists such as Joni Mitchell, Tracy Chapman, Madeleine Peyroux, Herbie Hancock, Shawn Colvin, and Melody Gardot, Freedom & Surrender features an array of sensuous songs that promiscuously mingle soul, jazz and pop (including a haunting version of Nick Drakeโ€™s โ€œRiver Manโ€ and a midnight-sultry take on the Bee Geesโ€™ โ€œTo Love Somebodyโ€).
Part of what makes Wright such a powerful singer, aside from the sheer jaw-dropping beauty of her voice, is her gift for infusing even the earthiest material with a glint of the sublime. โ€œGospel music is, thankfully, an inescapable root that informs my approach to most everything,โ€ says Wright, 36, who performs Saturday at Kuumbwa (a concert previously scheduled for the Rio Theatre). โ€œEven more than a heaven-facing kind of blues, itโ€™s about an earnestness that speaks of the tender resilience of the human spirit.โ€
Since the release of her 2003 debut album Salt, Wright has forged creative alliances with a loose confederation of similarly soulful artists, from singer/songwriter Toshi Reagon and bassist/composer Meshell Ndegeocello to violinist Regina Carter and vocalist Gregory Porter (who joins her on Freedom & Surrender on her amorously animated โ€œRight Where You Areโ€).

Part of what makes Wright such a powerful singer, aside from the sheer jaw-dropping beauty of her voice, is her gift for infusing even the earthiest material with a glint of the sublime.

Sheโ€™s worked with smart producers before. Drummer Brian Blade and keyboardist Jon Cowherd co-helmed her debut album, and the visionary Craig Street added gorgeous acoustic textures to her 2005 follow-up Dreaming Wide Awake and her sumptuous 2008 masterpiece The Orchard. For her new record, producer Larry Klein revealed a different facet of Wrightโ€™s sensibility, a sound sanctified and otherworldly.
โ€œAs an artist, you feel throughout the process that Larryโ€™s offerings are at your service,โ€ Wright says. โ€œItโ€™s possible to come out of a project with him feeling that youโ€™re more of yourself than you were at the start.โ€
Klein is most effective at framing her original songs, which predominate on the album. In many ways, composing is as foundational to her art as the church.
Performing in choirs throughout grade school, she wrote her first song for her high-school graduation, where she was the ceremonyโ€™s featured performer.
Jazz first caught her ear on the radio, particularly Marian McPartlandโ€™s award-winning NPR show Piano Jazz. โ€œThe thing that got me about jazz is that I heard a lot of the sounds and ideas Iโ€™d heard in church,โ€ she says. โ€œThe soulfulness and the interpretation, just little riffs and ideas, it all sounded kind of familiar to me. But people were singing about other things, about secular life, and it really interested me.โ€
Wright spent a year at Georgia State University in Atlanta majoring in music performance, but she wasnโ€™t interested in studying classical music and the school didnโ€™t have a jazz program. After a brief move to Macon, she came back to Atlanta and joined the jazz combo In the Spirit, a band of musicians who played in church on Sunday and worked on the jazz scene during the week.
She first gained widespread notice in the summer of 2002 through her appearances at a series of Billie Holiday tribute concerts, making a lasting impression at Chicagoโ€™s Orchestra Hall with her soul-inflected versions of Lady Dayโ€™s masochistic classic โ€œDonโ€™t Explainโ€ and the tormented standard โ€œI Cover the Waterfront.โ€ A week later, she wowed the Hollywood Bowl.
Still a work in progress, Wright continues to extend and deepen her sound via encounters with veteran masters, like a fateful backstage encounter with folk legend Odetta at a Carnegie Hall tribute to Nina Simone. ย 
โ€œIโ€™m a very independent spirit,โ€ Wright says. โ€œBut Iโ€™m beginning to respect and understand the power of lineage.โ€


INFO: 8 p.m. Saturday, April 16. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $35. 427-2227.
 

Straight Story

Two notebooks, brimming with secrets, sat for years in a drawer under gift wrap and ribbons. Beside them, a manila envelope stuffed with phone records, hotel bills and receipts.
โ€œI didnโ€™t know what it was, but I knew it was for me,โ€ says Alison, who asked to withhold her surname for privacyโ€™s sake. โ€œIt seemed like God lined up a sequence of events that led me to my momโ€™s diaries at that moment. I wouldnโ€™t have been able to handle them any sooner.โ€
A few years ago, she continues telling her support group, mid-life soul-searching led her spouse, who was adopted as a baby, to reconnect with his birth parents. Tragedy followed. His mom died; then Alisonโ€™s. A year-and-a-half later, while discussing how one of their sons might be gay, her husband of two decades came out of the closet.

As growing acceptance and landmark victoriesโ€”such as last yearโ€™s Supreme Court ruling legalizing same-sex unionsโ€”embolden more people to claim their true identities, that sometimes means leaving a straight partner behind.

โ€œSeveral things in a short span of time really rocked my foundation,โ€ Alison tells the six people gathered for a recent Straight Spouse Network meeting in Sunnyvale. โ€œWe tried everything.โ€ They went to couples therapy and opened the marriage to other partners. That, too, fell apart. They now take turns staying at the home they once shared to spend time with their three school-age children.
That the journals turned up just a week ago seems, to Alison, divinely timed. When her dad asked for help moving steel cabinets from one room to another, she dismantled them drawer-by-drawer to shoulder the weight. One tray held her motherโ€™s handwritten notes and a dossier on her husbandโ€”Alisonโ€™s fatherโ€”that marked his comings, goings and phone calls. The diaries echoed Alisonโ€™s journey these past few years. Her mom, she realized, had battled the same suspicions, heartbreak and grief a generation before her.
In hindsight, the clues stand in sharp relief: the emotional distance between her parents, the inseparability of her dadโ€™s male friends. โ€œWhen my husband came out, he told me he sensed that my father is gay, too,โ€ she says. โ€œNow I know my mom knew.โ€
As a retired nurse and grief counselor, Joyce Miller knows about loss, though she has never gone through the kind that brings people to the Straight Spouse Network. For 19 years, she has guided jilted spouses through this singular kind of heartbreak.
When one of her sons came out in the 1980s, Miller embraced him but wondered how something so inextricably linked to his identity escaped her notice. In his honor, she became a devoted ally to the LGBT community. She marched in a parade with a sign that read, โ€œI love my gay son.โ€ She began volunteering for the nonprofit Parents, Families and Friends of Lesbians and Gays (PFLAG).
โ€œThat was the beginning of parents sticking up for their gay kids,โ€ says Miller, who is slight and meticulously kempt, her white hair cropped close in a pixie. โ€œBut while some people were celebrating the fact that they had gay kids, I began hearing about these straight spouses who werenโ€™t seeing a reason to celebrate.โ€
Social, religious and family pressures have forced men and women into the closet from time immemorial. As growing acceptance and landmark victoriesโ€”such as last yearโ€™s Supreme Court ruling legalizing same-sex unionsโ€”embolden more people to claim their true identities, that sometimes means leaving a straight partner behind.

Santa Cruz Support

For spouses in Santa Cruz, PFLAGโ€™s local chapter provides a network of family members, friends, and anyone who has had similar experiences, says PFLAG Santa Cruz County president, Neal Savage. โ€œIt creates a normality around the situation because most of us grew up in a heteronormative society, and when you realize itโ€™s not that homogeneous, you can deal with differences,โ€ says Savage.
There are a variety of groups for locals, he says, like LMFT Deb Abbottโ€™s TransLove Support Group Santa Cruz, and Edie Fredericโ€™s Rainbow Speakers and Friends in Carmel.
On the cultural front, these relationships between straights, gays, lesbians, and transgender men and women have figured into Netflix shows Frankie and Grace and Orange is the New Black and Caitlin Jennerโ€™s real-life coming-out.
Amity Pierce Buxton founded the Straight Spouse Network 30 years ago in Oakland after the father of her two children and husband of 25 years came out as gay. For a time, Miller had PFLAG direct the straight spouse hotline to her personal phone and would send people to Buxtonโ€™s support groups. She eventually realized that Silicon Valley needed its own chapter and began hosting meetings in her Sunnyvale home.
By Buxtonโ€™s count, about 2 million American couples find themselves in Alisonโ€™s quandary, though stigma and denial make it tough to get an exact number. People marry mismatched partners for complex reasons that may include discrimination but also real affection, wishful thinking and the shape-shifting ambiguities of sexual attraction. Still, the split can send the abandoned spouse into a crisis of identity and faith in their own judgment.
โ€œBefore every rainbow, there is a storm,โ€ Miller often says.
When Alison reveals her family secret, her support group peersโ€”who asked to use pseudonyms to protect their families from gossipโ€”widen their eyes.

Amity Pierce Buxton founded the Straight Spouse Network 30 years ago in Oakland after the father of her two children and husband of 25 years came out as gay.

โ€œThey say children are drawn to men who are similar to their father,โ€ says David, who sits just left of Alison at Millerโ€™s dining room table. โ€œMaybe there was something there that made you feel comfortable with your husband.โ€ Alison nods. โ€œI mean, when I look at a woman now, Iโ€™m cautious,โ€ continues David, who lost his pastor wife to another woman in the church choir. โ€œI think, โ€˜Is she gay or is she straight?โ€™โ€
โ€œMe, too,โ€ says Mary, a British ex-pat whose Orthodox Jewish ex-husband lived a double life, dating similarly closeted husbands for decades before their split. โ€œI mean, what if thereโ€™s something about me thatโ€™s attracted to gay men?โ€
Evelyn, who warns the group that she can only talk about this with a heavy dose of expletives, shakes her head.
โ€œBut we had sex all the time,โ€ she says in exasperation, adding that she enjoyed 20-some-odd years of relative bliss before her exโ€™s jarring pronouncement right before her 50th birthday. โ€œThat was never a problem. How do you fake that? I donโ€™t know. I really donโ€™t. When I married my husband I was dating three guys and I picked the fucking asshole.โ€
That may be the most difficult part to understand, Mary says. She often wondered whether her husband willed his erections by thinking of other men. Another attendeeโ€”Eric, whose wife left him for her best friend after he uncovered their affairโ€”remarks on the irony of some of their gay spouses being so homophobic.
โ€œI think it comes from fear,โ€ Mary says. โ€œEven if theyโ€™re living a homosexual life, itโ€™s been suppressed for so long that it sort of deranges the psyche. Thereโ€™s a lot of anger there. But for the straight spouse, too. Because you gave your life to this person, but didnโ€™t realize that you signed separate contracts.โ€
Eric says he was never angry with his wife. Well, maybe about the deception. โ€œAll I know is I canโ€™t watch lesbian porn now,โ€ he says, eliciting laughter from the group.
Alison says her focus has shifted from obsessing about her ex to finding her own happiness. โ€œI do believe my mom came to this group,โ€ she says. โ€œThat would have been around 2000.โ€
Miller tells Alison to bring a photo of her mom next time. Maybe it will jog her memory.


Additional reporting by Anne-Marie Harrison
Resources: TransLove Support Group Santa Cruz, de************@***il.com; Rainbow Speakers and Friends, ed*****@*******al.net; Diversity Center Santa Cruz County;ย Parents, Families and Friends of Lesbians and Gays.

Climate Change

We can sense when change is in the air. ย It makes us catch our breath and look around. Excitement blends with fear as we cross over into something new. Who will we be on the other side?
That was the mood in New York City in 1980, when artists and writers were squatting in seedy lofts and gentrification was only hinting at its ravenous appetite for real estate. Here you could bump into emerging artists like Keith Haring tagging a subway wall, or Jean-Michel Basquiat morphing from hip-hop and graffiti to shows at the Whitney Museum.
In Molly Prentissโ€™ debut novel, Tuesday Nights in 1980, New York City unfolds in all its gritty glory as we follow the pivotal moments that redefined art itself, along with three main characters: an art critic with synesthesia, an emerging painter escaped from Argentinaโ€™s dirty war, and their muse Lucy, a small-town beauty hungry for experience. As their lives connect and collide, weโ€™re struck by the tangled ties between people and places, intellect and commerce, art and life.
โ€œThe central question in the book is: how do you go on after the thing that defines you has been taken away?โ€ says Prentiss. โ€œI was interested in following the trajectory of what happens when things youโ€™ve learned to rely on to define you personally, artistically and culturally, change.โ€
When Prentiss comes to Bookshop Santa Cruz Thursday, it will be her dream come trueโ€”not just to have her debut novel published to glowing reviews or head out on a book tour, but to come to this bookstore, in this town.

In Molly Prentissโ€™ debut novel, Tuesday Nights in 1980, New York City unfolds in all its gritty glory as we follow the pivotal moments that redefined art itself, along with three main characters: an art critic with synesthesia, an emerging painter escaped from Argentinaโ€™s dirty war, and their muse Lucy, a small-town beauty hungry for experience.

Thatโ€™s because Prentiss is from La Selva Beach, and though she now lives in Brooklyn, New York, she will always consider Santa Cruz her true home. She grew up in a communal living situation where six adults and six kids shared a plot of land. Each family had an individual home, but they shared meals. โ€œIt was a very arts-focused and creative environment,โ€ she says. ย โ€œI think that thatโ€™s what made me interested in the lives of artists and the varied lifestyles that artists create. It influenced my book in that I think my book is about community. Itโ€™s about people finding new ways of living.โ€
She remembers first moving to New York in 2006 and living in a big artistsโ€™ loft that was cheap and funky. โ€œIt reminded me of the artistsโ€™ squats I talk about in the book,โ€ she says. โ€œIt wasnโ€™t as violent or intense a time as New York in the โ€™70s and โ€™80s, but there was that feeling of possibility and electricity. Artists were still able to live cheaply without working at day jobs the whole time. Itโ€™s changed since then.โ€ She talks about the push and pull involved with trying to be an artist or creative type in the big city. โ€œItโ€™s hard, but also interesting. I think that was one of the reasons I was attracted to that moment when things were shifting.โ€
Shift inevitably involves loss, and her characters are forced to wrestle with who they are in the wake of it. โ€œI think an essential part of making art is getting to some core you believe in, touching something inside yourself,โ€ she says. โ€œThat varies for everyone, but itโ€™s a driving force, and what makes art successful. If you want it to be that close to you, a part of you, thereโ€™s a risk. Where does this thing you made start and where do you begin? Can you find the same sense of yourself or the world without it? It can be tricky.โ€
When Prentiss leaves Santa Cruz, sheโ€™ll bring a plastic bag of succulents back to Brooklyn with her and plant them all over her apartment. Sheโ€™ll have big group dinners with friends and commune around food, which reminds her of home. โ€œI always thought I was growing up in an alternative kind of place where people were doing things differently, in cool and makeshift ways,โ€ she says.
She knows her life will change as her book is launched into the world, but sheโ€™s game to recreate it, because thatโ€™s what artists do.


Molly Prentiss will read from and discuss her new book at 7 p.m. Thursday, April 14, at Bookshop Santa Cruz, 1520 Pacific Ave., Santa Cruz. Free.
 

Westside Buzz

Itโ€™s happened again. Another Verve Coffee Roastersโ€”that outlet of enlightened espressos and pastriesโ€”has opened on the Westside of Santa Cruz.
The location of the tiny chainโ€™s fourth shop is one of the best aroundโ€”across the street from New Leaf Market and right next door to Bantam. Also, if we can believe a recent article in Sprudge (a website devoted to trends in new-wave coffee), Verve Coffee Roasters will place another one of its stores this month in the worldโ€™s busiest train stationโ€”in Tokyo! Iโ€™d call that thinking big. According to the interview with Verve founder Colby Barr, this will not be a franchise situation, either. More like an embassy, a genuine outpost of Santa Cruz Verve style, only in the largest city in the world. Extremely chill.
But letโ€™s get back to our own neck of the woods.
The new Westside Verve is, as you would expect, hip to the max. Sleek pale woodwork flatters the long, low front counter of poured and polished concrete. The high ceiling offers ample back wall space upon which perch tiny botanical islands of epiphytes and their friends. Even the industrial hardware here adds visual design appeal. The bank of Nuova Simonelli espresso machines gleams with film noir style. Stacks of logo cups, caps and T-shirts snag the eye from three different angles. And of course, for me, one of the primary draws is that jewel-box case loaded with extravagant pastries, cakes, scones, and wickedness from the folks at Manresa Bread. Hereโ€™s the combo to consider: A small Americanoโ€”enough octane for three-four hoursโ€”plus one of those buttery hazelnut cakes with a rosette of the purest, darkest chocolate ganache in the center. With that $7-duo you can glide through mid-terms, tax forms, or the latest Jonathan Franzen tome with ease. For your seating pleasure, the glass-walled main room offers wrap-around high counters, and a central corridor of long refectory-style tables and chairs just waiting for you, your macchiato and your laptop. Out front, at the edge of the property facing New Leaf Market, thereโ€™s a crafty enclosed patio with a wraparound bench for enjoying al fresco coffee klatches and checking of iPhones. Sweet. The latest installment of Verve sits at 1010 Fair Ave., Santa Cruz. Open daily, 6 a.m.-8 p.m. Welcome to the neighborhood!

Personal Pour Taproom

Something new and dramatically different in the way of craft beer tasting will open in May on Pacific Avenue in downtown Santa Cruz, right down the street from Oโ€™Neill. ย Patrons can open a tasting โ€œaccountโ€ with a credit card and then taste at will. Imagine being able to graze at will over a wall of beer taps, choosing whatever catches your eye and pouring yourself a sample. Pour Taproom is the brainchild of Felton native Chris Reno, who has described this high-tech new venture as a โ€œfree-range tasting room.โ€ Stay thirsty, my friends.

Appetizer of the Week

The splendidly unctuous roast asparagus wrapped in prosciutto I enjoyed last Tuesday at Gabriella while listening to sage raconteur Peter Kenez charm a full house of admirers.

Wine of the Week

The amusingly labeled Proper Claret 2013 ($11.99 at Shopperโ€™s Corner) from the feverish mind of wine innovator Randall Grahm proved an able companion for a wide range of foods, from cheeses to grilled trout. An appealing, non-concept-driven blend of Cab, Merlot, Tannat, and Petit Verdot, with a smidge each of Syrah and Petite Sirah, this friendly red wine can romance even leftover pizza with more than a touch of flair. Nice value for the money, and thatโ€™s saying a lot.

Opinion

EDITOR’S NOTE

I came to love the Jabbawockeez after getting to know the guys in the Bangerz, which is the South Bay production crew that composes the beats for the world-famous hip-hop dance team. The Bangerz are a grounded, happy-go-lucky bunch of guys, but, the Jabbawockeez, with their trademark masks and emphasis on anonymity as a way to eliminate individual ego and elevate collective movement, are an enigma. I certainly didnโ€™t know that one of the central figures in the creation of the group, Gary Kendell, was from Santa Cruz. Thatโ€™s just one of the things I learned reading Anne-Marie Harrisonโ€™s cover story this week, and understanding how the style and philosophy of Kendell and his fellow Jabbawockeez changed hip-hop culture forever is key to unlocking this almost secret history of dance culture in Santa Cruz. Harrison lays out the history, and explains how the En Route Urban Dance Showcase this weekend is a continuation of what Kendell started.
Iโ€™m also thinking this week about a conversation I had a year ago with Matthew Swinnerton, who organizes Event Santa Cruz and the NEXTies awards. (You may have seen Swinnerton in these pages last week, when he was named โ€œBest Santa Cruz Cheerleaderโ€ in an Editorโ€™s Pick.) At that time, Swinnerton told me that his three-year plan for the NEXTies awards would come to full fruition in 2016: โ€œNext year is my full vision,โ€ he said then. Well, that time has come, as the celebration of Santa Cruzโ€™s entrepreneurial spirit returns April 8 with an awards extravaganza at the Rio Theatre. Check out page 36 for the details.
STEVE PALOPOLI | EDITOR-IN-CHIEF


LETTERS TO THE EDITOR

Read the latest letters to the editor here.

Route of the Problem
I am writing in response to your article โ€œWay To Goโ€ (3/30/2016). Business owners have valid issues and a significant stake in how customers access our stores. While I have a fairly new downtown store, I have lived here a long time because I like the โ€œfeelโ€ of the town and the people immensely. I was quoted out of context in the article, so want to be very clear.
When issues arise there are meetings, studies, and sometimes consultants are hired. Recommendations or proposals are made, followed by more discussions, meetings, etc., and decisions are made. It is how the process โ€œworks.โ€ That some ideas which are not even feasible are proposed, discussed, or studied, and some proposals are made with personal, political or business agendas, are the aspects of the process I find immature and counterproductive.
At the same time, chronic problems are not addressed. Changing the direction of the traffic flow on Pacific Avenue is not worth it unless the discussion includes other relevant and pending issues: sidewalk vending, parking, bike lanes, and loitering, among others. We need to address these issues forthrightly. I am sure they can be solved creatively, making downtown even more vibrant, positive and successful.
The future is not anywhere we are going, it is something we are building.
Jeremy Carlson
A Brighter World Tie Dye Co.

Best of the Best
Re: โ€œBest of Santa Cruz Countyโ€: Congratulations on such a beautiful issue. Each page is a feast for the eyes! Iโ€™m still looking through itโ€”all 172 pages! Keep up the great workโ€”Wednesday is not Wednesday without getting my copy of GT, such a fitting tribute to an incredible place to live for the past 40 years!
Sandra Cohen
Santa Cruz

Best Of Santa Cruz Corrections
With thousands of details on hundreds of listings in our Best of Santa Cruz County issue, each year brings a list of corrections to the issue after. Here are this yearโ€™s fixes; we regret the errors.

Greenspace was omitted from the runners-up list in Green Business category.
The following addresses were incomplete or incorrect:

Best Carpet Cleaners: Connoisseur Carpet, 1521 Seabright Ave., Santa Cruz
Best Doctor (MD): Rachel Carlton Abrams, MD, 740 Front St., Suite 130, Santa Cruz
Best Donuts: Ferrellโ€™s Donuts, 1761 17th Ave., Santa Cruz; 5520 Scotts Valley Drive, Scotts Valley; 7765 Soquel Drive, Aptos; 2227 Mission St., Santa Cruz; 1403 Ocean St., Santa Cruz.


PHOTO CONTEST WINNER

Submit to ph****@*******es.sc. Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250dpi.


GOOD IDEA

TV SET
James Durbinรขโ‚ฌโ„ขs 2011 elimination from American Idol was the biggest upset in reality TV show history. Not just because it was a surpriseรขโ‚ฌโ€it was really upsetting! The Santa Cruz native came in fourth in season 10. He has both Aspergerรขโ‚ฌโ„ขs and Tourette syndrome and was one of the greatest people ever to grace Idolรขโ‚ฌโ„ขs stage. You can see Durbin perform with other contestants on the showรขโ‚ฌโ„ขs finale at 8 p.m. on Thursday, April 7 on Fox.


GOOD WORK

RADIO SAGA
Jim Hightower, a longtime opinion contributor to KPIG radio, said in a recent dispatch that he has been รขโ‚ฌล“radioactiveรขโ‚ฌย for 25 years. The insightful political commentatorรขโ‚ฌโ€who sounds off brilliantly on corrupt politicians, selfish corporations and lobbyists alikeรขโ‚ฌโ€appears on about 200 stations. He announced on Monday, April 4 that the รขโ‚ฌล“Jim Hightower Reportรขโ‚ฌย will be reduced to just two days a week. It wasnรขโ‚ฌโ„ขt our all-time favorite report from him, but we salute all his hard work.


QUOTE OF THE WEEK

รขโ‚ฌล“Hip-hop is supposed to help you elevate.รขโ‚ฌย

-Common

Music Calendar Apr 6-Apr 12

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THURSDAY 4/7

HARDCORE

BANE

After more than two decades of hardcore punk with intelligent messages, the boys in Bane are finally hanging it up. Originally intended to only be a side project for Convergeโ€™s Aaron Dalbec in 1994, the band quickly gained a life of its own, earning love and respect from fans and fellow musicians alike. While never quite being a โ€œstraight edgeโ€ band, Bane has never been one to cower away from a message of sober positivity while keeping their tough as $#!% attitude. Anyone who was a teenager in the 1980s and 1990s will be there, but even for those who never got into punk, this is one show that will leave everyone asking, โ€œCan we start again? Go back to what it meant back then?โ€ MAT WEIR
INFO: 8:30 p.m. Catalyst Club, 1011 Pacific Ave., Santa Cruz. $18/adv, $20/door. 429-4315.

FRIDAY 4/8

HARD ROCK

THE DARKNESS

The U.K.โ€™s the Darkness were a surprising hit in 2003 with five hit singles off their debut record, most notably the hard-rocking earworm โ€œI Believe in a Thing Called Love.โ€ The band rode a weird line of homage and โ€™70s rock parody. They had all the ingredients: the sweet licks, feathered hair, flamboyant clothes, and operatic falsetto. Theyโ€™re not quite the hitmakers they were 13 years ago, but their newest album is packed with just as much power-rocking riffage, and singer Justin Hawkins belts out all of those unbelievably high notes that old-school Darkness fans will be sure to love. AARON CARNES
INFO: 9 p.m. Catalyst, 1011 Pacific Ave., Santa Cruz. $25/adv, $30/door, 429-4135.

AFRO-LATIN FUNK

JUNGLE FIRE

The loose, genre-tinkering grooves that define the 11-piece Jungle Fire really begins to make sense once you learn that the L.A.-based group started out as a single jam session in 2011. Theyโ€™ve kept that feel alive five years later, and produce some of the most innovative, infectious, high-energy dance music going. Itโ€™s got elements of funk, Latin, African, hip-hop, and soul, but doesnโ€™t focus too much on any one style. Itโ€™s highly percussive (they have five percussionists) and horn-driven (four horn players!) and are currently signed to Nacionalโ€”arguably the hippest, most cutting-edge Latin music record label around. Jungle Fire should please anyone itching to dance to some fresh beats. AC
INFO: 9 p.m. Moeโ€™s Alley, 1535 Commercial Way, Santa Cruz. $9/adv, $12/door. 479-1854.

SATURDAY 4/9

ROCK/TRIBUTE

HOUSE OF FLOYD

For years, House of Floyd has been the Bay Areaโ€™s premiere Pink Floyd tribute band, covering their namesakeโ€™s entire discography from the early Syd Barrett years through Division Bell. Unlike other Pink cover bands, House of Floyd not only carries the sound, but also the style and atmosphere of the original, evolving long jams and spaced-out silences to their trippiest completion. MW
INFO: 8 p.m. Rio Theatre, 1205 Soquel Ave., Santa Cruz. $25/gen, $40/gold. 423-8209.

INDIE

FEED ME JACK

Mixing complex technical chops and catchy melodies is a delicate balancing act, one that Oaklandโ€™s Feed Me Jack has gotten quite skilled at. The five-piece formed here in Santa Cruz in 2011, and since relocating has earned an even bigger audience. Their latest CD, Ultra Ego, is a superbly produced collection of songs that uses jazz as the glue that connects their math-rock and indie-pop leanings. The blend creates a lot of haunting and gorgeous sectionsโ€”they never stick around on any one for too long, but still keep the songs progressing in a logical and emotionally satisfying manor. AC
INFO: 9 p.m. Crepe Place, 1134 Soquel Ave., Santa Cruz. $8. 429-6994.

SUNDAY 4/10

TRIBUTE

LYNETTE SKYNYRD

Hailed as the world’s only all-female Lynyrd Skynyrd tribute band, Lynette Skynyrd may be one of the few bands that doesnโ€™t mind requests for โ€œFreebirdโ€ hollered out during their shows. But this Southern California-based outfit stomps on the notion of being just another tribute band, with blistering performances driven by the ace musicians and a return to the epic nature of โ€™70s rock concerts. Described by one reviewer as โ€œbadass rockchick authority that stands the test of time,โ€ Lynette Skynyrd drags the spirit and power of rock โ€™nโ€™ roll back to its rightful place: the stage. CJ
INFO: 2 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $10/adv, $12/door. 335-2800.

FINGERSTYLE GUITAR

RICHARD SMITH

A National Fingerstyle Champion, British guitarist Richard Smith was just 5 years old when he first picked up the guitar, and heโ€™s been at it ever since. Playing in the country swing and acoustic fingerpicking styles made popular by Chet Atkins, Merle Travis and Jerry Reed, Smith has, in the eyes of at least one of his influences, eclipsed his teachers. As Atkins said, Smith is โ€œ[t]he most amazing guy I know on the guitar. He can play anything I know, only better.โ€ On Sunday, Smith brings his guitar wizardry to Felton. CJ
INFO: 7 p.m. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $15. 335-2800.

IN THE QUEUE

BOLIVIA CLรSICA

World-renowned classical pianist Ana-Maria Vera and friends. Wednesday at Kuumbwa

MAKING MOVES

Psychedelic/Afro/Cumbia/Rock out of Santiago, Panama by way of Kansas City. Thursday at Moeโ€™s Alley

MILITIA OF LOVE

Veteran reggae group from Monterey County. Thursday at Don Quixoteโ€™s

BROTHERS COMATOSE

Americana back-to-back with Painted Horses and the McCoy Tyler Band. Thursday and Friday at Crepe Place

UNKNOWN MORTAL ORCHESTRA

Celebrated group comprising American and New Zealand pop-rockers. Tuesday at Cocoanut Grove

Be Our Guest: Stephane Wrembel

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Be Our Guest 1614 stephane3b
Stephane Wrembel plays Kuumbwa jazz on Apr 21

A French-born gypsy jazz guitarist, Stephane Wrembel is a standout in the contemporary jazz scene, with his brilliant musicianship and lively, soulful style. Well-known among gypsy jazz enthusiasts, Wrembel is a veteran of the spotlight, including a performance at the 2012 Academy Awards and work on the scores for the Woody Allen films Midnight In Paris and Vicky Cristina Barcelona. A student of tradition, Wrembel also thrives on moving sounds and styles forward and is influenced by world music of all styles.ย 


INFO: 7 p.m. Thursday, April 21. Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz. $22/adv, $27/door. 427-2227. WANT TO GO? Go to santacruz.com/giveaways before 11 a.m. on Friday, April 8 to find out how you could win a pair of tickets to the show.

Love Your Local Band: Steve Palazzo

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LYLB 1614vSteve-Palazzo
Steve Palazzo plays at Don Quixote’s on Apr 10

Steve Palazzo has been involved with music his entire life.
A couple of decades ago he was making instruments. And since the early โ€™90s, heโ€™s been a full-time guitar teacher. However, a lot of folks might know Palazzo for the bluegrass band Homefire, which was together for a quarter-century before calling it quits just a few years ago.
That hasnโ€™t stopped Palazzo from playing music. Now he plays shows under his own name, drawing from similar roots music influences but with a more intimate feel.
โ€œPart of it was I wanted to do some different stuff besides straight-ahead traditional bluegrass. I wanted to do smaller ensemble stuff,โ€ Palazzo says. โ€œItโ€™s been fun working on these tunes with a smaller group. Thereโ€™s certain things we couldnโ€™t do with a bigger ensemble. We put a little more emphasis on the vocals.โ€
Thereโ€™s also an album in the works, one that Palazzo has been working on for the better part of a year. Part of the reason itโ€™s taken so long is that heโ€™s been bringing in different local and touring musician friends to record on various tracks. Heโ€™s hoping to have his solo record out this spring, and believes Americana music lovers will truly appreciate it.
โ€œIโ€™m attracted to those roots styles. Thereโ€™s traditional fiddle tunes, one track is a Johnny Cash tune, but we arranged it with fiddle and mandolin, and two guitars. Itโ€™s traditional stuff,โ€ Palazzo says. โ€œIโ€™ve played this music long enough where my versions of these tunes are never exactly like anybody elseโ€™s at this point. Thereโ€™s some straight-ahead bluegrass, but then thereโ€™s just some fingerpicking stuff.โ€


INFO: 7 p.m. Sunday, April 10. Don Quixoteโ€™s, 6275 Hwy. 9, Felton. $15. 335-2800

Produce Standoff

One manโ€™s farmworker crusade is making noise, even as critics question his motives

Wrights Station

An idyllic piece of paradise in the Santa Cruz Mountains

โ€˜Freedomโ€™ at Last

Lizz Wrightโ€™s soulful sound matures on her latest record

Straight Story

Support network helps spouses heal after partners come out

Climate Change

In her debut novel, La Selva Beach native Molly Prentiss maps a shifting art movement

Westside Buzz

Verve Coffee Roasters opens on the Westside, plus a new craft beer taproom coming to Pacific Avenue

Opinion

April 6, 2016

Music Calendar Apr 6-Apr 12

Local music for the week of April 6, 2016

Be Our Guest: Stephane Wrembel

Win tickets to Stephane Wrembel on Apr. 21 at Kuumbwa Jazz.ย 

Love Your Local Band: Steve Palazzo

Steve Palazzo has been involved with music his entire life. A couple of decades ago he was making instruments. And since the early โ€™90s, heโ€™s been a full-time guitar teacher. However, a lot of folks might know Palazzo for the bluegrass band Homefire, which was together for a quarter-century before calling it quits just a few years ago. That hasnโ€™t stopped...
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